Manoel de Oliveira shot this 49 movie in his career director with nearly 102 years. He used his own

Manoel de Oliveira shot this 49 movie in his career director with nearly 102 years. He used his own screenplay of 1952. The action takes place so in the early fifties (or the end of the forties) in a small Portuguese town of Regua. Young photographer Isaac gets in the middle of the rainy night unusual order commemorative photos taken mysteriously photo cube deceased Angelica - freshly baked married women of the family of local notables. When shooting Isaac sees the lens of her open eyes and cheerful smile. This image invisible for others becomes his obsession, and the girl impossible to fulfill the object of love. Appears photo cube him repeatedly surrounded photo cube by a heavenly aura to finally connect with him through his death interpreted by the environment as a result of insanity.
The film has the special atmosphere of romance. He talks about difficult issues to see, memories, fleeting images. This effect is achieved by the use of a stationary camera and almost theatrical declamations text. Maybe it smacks a little artifice and if they did not fit into the present, but this is without a doubt the director's intention. This becomes clear in the scene of the shooting men who ground (it looks like a reference to the first film maker Manoel de Oliveira "Douro, Faina Fluvial" from 1931). The whole thing works so impressive aesthetic, nostalgic, showing transience and elusiveness of the world. It does not necessarily have to like it, but I will go down permanently in the history of cinema.
Much would help this film specialist CGI. If the scene with the flying spirit of Angelica looked better than the UFO with "Plan 9 from Outer Space", perhaps it would be easier to feel the nostalgic atmosphere of unreal love.
This video captivated me at the outset. I was quite charmed - the music, the Portuguese scenery, the rain, but with the development of the plot (or maybe its duration) the romanticism took on the characteristics of the banality of up to ridicule. Scenes dreams and mirages were nail in the coffin - I had the impression I was watching a cartoon. And this suicide directing the scene of running breathless hero (after the death of the bird) - what was it? Maybe it lay in a deeper sense, which did not record?
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